1)
Hi IA, wassup? What are you doin' these days?
IA:
Hi Max! Right now I am editing live gigs for a possible
live album with Freak Kitchen. Still have tons of stuff
to go through so this will take some time. I am also
working on the follow up to Freak Guitar, which is truly
inspiring and challenging. This will also take some
time since I want it to stand tall and proud next to
Freak Guitar. We're still on the road every now and
then with FK so there's is plenty to see at.
Got back recently from France, Belgium, Taiwan, Japan
and Holland, going to Norway next week and then more
gigs in Sweden.
2) Your new album , 'Move' ,as the guitarist and
singer for Freak Kitchen, is now available. It sounds
much more in your face and angry than any of your
previous records. So are you gonna be the antiMetallica
development as an artist?
IA: Hehe, antiMetallica's a good one! Well,
you just do what you gotta do and don't think about
it too much. With Move we wanted to make a pretty
honest album that was true to how the band actually
sounds live. I am also not a big fan of effects and
like to keep things kind of dry to keep it potent.
3) Your sound is also so raw and sounds so damn
perfect for the kinda songs you play!!! Some suggestion
on achievin' a good tone?
IA: Laney amps are all I use, VH100R on
Move and TT100H live. I play them loud and put the
microphone as close as possible. That's it. No bull,
no other tricks or gimmicks.
4)
Do you think that valve state amps are better for
hard rock guitar? Apart from Dimebag Darrell, I don't
know of anybody playin' solidstate amps.
IA:
To me valve states are. I don't like the sound of
lined guitar very much and I am surprised so many
players have "gone POD". I tried a few things,
mostly to know what everybody's talking about, but
it sounds too processed to my Swedish ears. The sweetness
and warmth you get from a tube amp played to the bone
through a good cabinet is hard to beat.
5) One of the most strikin' aspects of your interpretation
of the guitarist's role is the creativity you have
for uncommon chord progressions... Do you have a certain
method to break away from common chords (i.e. some
alterations you often use) or is it just a matter
of hearin' a sound in your mind and translatin' it
on the guitar? Does it ever happen by chance that
you find exactly the perfect chord you were searchin'
for just by f@**in' around the fretboard?
IA: I think I both unintentionally and
intentionally try to strive away from the often typical,
dead-boring heavy metal tonality. I never listen to
metal in the house. It's impossible if you wanna come
up with something fresh sounding. I almost get frightened
when I hear about touring rock musicians put on a
Slipknot album the first thing when they get back
home. Brrr! Still, there's nothing that get me going
as raunchy guitars, big drums and fat bass so... I
often jerk around with scales and try to build chords
out of them and squeeze it all together.
6)
Another thing I love about your style is the unortodox
approach to solos... How this happens? Do you put
together a bunch of strikin' effects, or do you follow
some compositional scheme? Are they improvised?
IA:
I mostly start with improvising until something worthwhile
come up, maybe a "hook" you can build something
around. I then try to put together a tiny composition
within the composition itself. Sometimes it works,
sometimes not. Humor is also a good thing too. I think
a guitar solo can be real funny, done in the right
way. It can also be the most dreadful thing.
7)
Then there's the dissonance stuff... How do you choose
the stuff to play? If we have a G chord or bassnote,
what would we play? It's pretty obvious we'd choose
a minor second interval, but which note would you
put on top and which on bottom of that doublestop?
IA: Oh, anything works, depending on which direction
you wanna go. Dissonances are beautiful!
8) Do you have some exercise or practicin' routine
to recommend to our readers?
IA:
I never followed any routines, I just play many hours
and try to write songs. Very, very seldom have I sat
on my butt practising stuff slow to get it down. If
I can't play right away, I find a way to get around
it and
create a similar sound I hear in my head.
9)
You're also very active on the teachin' side. The
FreakGuitarCamp is an awesome experience for a guitarist!!!
If any of our fellow guitarist wants to join you for
it, where could he find some interestin' infos?
IA: Check out www.freakkitchen.com or www.freakguitar.com
10)
So man isn't it time for an instructional dvd or somethin'?????
IA: You bet. I am planning a thick, long
indepth DVD to be released slightly after the next
solo album. Probably sometime, early next year, if
I find the time to pull it off.
11) Are freak Kitchen gonna tour Italy too ( a
lot of people visitin' our site are italian)?
IA: We sure hope so. I know Freak Guitar
has done very well in your fine country. We still
have to find a good, solid distributor for the rest
of the freak catalogue. We'll be down playing for
you as soon as possible.
12)
Who are your influences as a guitarist? Do you think
there's some interestin' guitarplayer out there now?
IA: There are tons of interesting guitar
players out there. For me it all started with Ace
Frehley, then Eddie Van Halen, then I discovered Frank
Zappa and life changed monumentally. Nowadays there's
a lot of Django Reinhardt in the CD-player. I'm also
a big fan of John McLaughlin, the Rosenberg dudes
and a lot more.
13)
Some suggestion on how to find inspiration? Where
does yours come from?
IA:
I get inspired from anything, you name it: movies,
everyday life, books, talking and meeting people,
the news and Italian interviews!

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